{"title":"Collection For Collection","description":null,"products":[{"product_id":"the-atelier-vignette-nocturne-01","title":"THE ATELIER VIGNETTE","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cem\u003eThe Nocturne Collection \u003c\/em\u003e\u003c\/h3\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003ci\u003eThe Atelier Vignette\u003c\/i\u003e brings architectural depth to credenzas, low consoles, or foyer entryways. Anchored by a heavy, fluid-cast metal sculpture in an antiqued dark bronze patina, the set balances brutalist weight with expressive movement. Beside it, a monochromatic wave print introduces high-contrast structure, while a matte-black knot candle holder grounds the composition.\u003c\/p\u003e\n\u003cp\u003eCrafted to be styled rather than displayed as a rigid ensemble, each piece catches light differently throughout the day. In the evening, candlelight draws out warm notes of smoked birch and dark amber, transforming your space into an understated sanctuary.\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48471082827997,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/srarcdeco1_2.jpg?v=1788013790"},{"product_id":"the-kouros-fragment","title":"THE KOUROS FRAGMENT","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp\u003eCast in mineral stone composite and mounted on a museum-grade steel rod, The Kouros Fragment captures classical Hellenistic proportion within contemporary space. The Obsidian Black edition carries a dense granite grain that absorbs direct light; the Alabaster White reads as chalk, dead-matte, and catches shadow like raw plaster. Muscled, headless, unresolved. Positioned on an executive desk or anchored on a stone console, it commands spatial acoustics with quiet, sculptural gravity.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Small \/ Obsidian Black","offer_id":48475390705885,"sku":null,"price":220.0,"currency_code":"USD","in_stock":true},{"title":"Large \/ Alabaster White","offer_id":48475390738653,"sku":null,"price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Gemini_Generated_Image_ed7niwed7niwed7n.jpg?v=1788102522"},{"product_id":"the-suspended-contour","title":"THE SUSPENDED CONTOUR","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe Suspended Contour — No. 01\u003c\/strong\u003e \u003cem\u003eHarmonic Contour · First Casting\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMetal has a moment, just before it sets, when it is neither liquid nor solid — when a poured edge is still deciding what shape it will keep. The Suspended Contour is an attempt to hold that moment open. The ribbon rises from its mount in a single uninterrupted gesture, gathers into a rippled crest, and releases into a tapered point that reaches out over the surface it stands on. Nothing about the form is repeated. Follow it with your eye from either end and you arrive somewhere different.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe stone underneath is doing the opposite work. A cube of crystalline white marble, cut square, left with its coarse mineral grain intact and unpolished — the most inert geometry available, deliberately chosen. It does not decorate the ribbon. It contradicts it. What holds the two together is a small exposed brass pin mount, left visible rather than concealed, so the object never pretends the wave is floating. The engineering is part of the composition.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eEach piece is finished by hand, which means the crest rippling is never identical between castings, and it is numbered against a first-casting allocation that will not be reopened at this specification. This is a collectible object rather than a decorative one — a thing that will be moved between rooms and eventually between houses, and that will look more considered in ten years than it does on the day it arrives.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48478794940637,"sku":null,"price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/srarcdeco4_1.jpg?v=1788165087"},{"product_id":"lamphore-paree","title":"L'AMPHORE PARÉE","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eL'Amphore Parée — No. 01\u003c\/strong\u003e \u003cem\u003eDecadent Heritage · First Edition\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAn amphora was never meant to be looked at. It was a container — for oil, for wine, for grain — shaped entirely by what it had to carry and how a hand had to lift it. The flare at the lip existed so a vessel could be poured without spilling. The handles existed so it could be hauled. Every curve was an answer to a problem, and none of it was decoration.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis one has been relieved of its job. What remains is the shape of usefulness with nothing left to be useful for, which is the condition of every object that survives long enough to become art.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAnd then it was dressed. Cast ceramic loops were set into the shoulder and body during forming — not applied afterward, but fired as part of the vessel, so the anchors are as permanent as the walls they emerge from. From them fall tiers of hand-strung simulated glass pearls and fine rhodium-plated chain, layered the way a jeweler layers a collar: shortest at the throat, longest at the hip, each tier reading against the one beneath it.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe effect is a deliberate argument between two materials that should not meet. The ceramic is fixed, opaque, fired at temperature into permanence. The drape is fluid, reflective, and moves when the room does. One was made in a kiln; the other was made on a bench with a needle. Together they produce something neither could alone — jewelry for architecture, and architecture that has agreed to be worn.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFifty pieces. Each strand knotted by hand, which is why no two cascades fall identically.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48479627444445,"sku":null,"price":445.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/srvase3_2.jpg?v=1788185213"},{"product_id":"vendange-no-02","title":"VENDANGE","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003eThere is a moment at the end of a harvest when the fruit is heaviest and has not yet been taken — swollen past its own outline, pressing against itself, holding more weight than the stem was designed for. Vendange is that moment in fired clay.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan\u003eThe body is built from overlapping spheres that refuse a clean silhouette. Nothing here is turned on a wheel; the surface bulges where a cluster would bulge, and the high-temperature glaze pools slightly in the recesses between forms, which is where the light collects and the object stops looking like ceramic and starts looking like something grown.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan\u003eFrom the two raised handles fall long vertical cascades of strung simulated pearl. They are not applied ornament. They introduce the one thing the ceramic cannot do — movement, and the sound that comes with it. Walk past the shelf and the object answers.\u003c\/span\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv\u003e\u003cspan\u003eOffered in Pearl Gloss White, where the strands almost disappear into the body, and Obsidian Matte, where they read as a hard vertical rain against a surface that returns no light at all. The two are the same object arguing opposite positions.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Spring Renaissance","offers":[{"title":"White","offer_id":48483791438045,"sku":null,"price":395.0,"currency_code":"USD","in_stock":true},{"title":"Black","offer_id":48483791470813,"sku":null,"price":395.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/VENDANGENO.02_4.jpg?v=1788267715"},{"product_id":"claustra","title":"CLAUSTRA","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eClaustra No. 01\u003c\/strong\u003e \u003cem\u003eHarmonic Contour · First Edition\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eA screen wall is the most modest thing in architecture. It exists to divide without closing — poured in concrete or fired in terracotta, perforated to a pattern, and then almost always forgotten, because nobody is meant to look at a partition. It is the surface a room passes through on the way to somewhere else.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eClaustra No. 01 begins from that form and does the one thing a screen wall is never permitted to do. The lattice is here — the pierced cellular structure, the raw mineral edge, the deliberate absence of polish on any outward face. But behind every opening, in the deep fractures where a real claustra would show only shadow and the room beyond, there is 24K gold leaf, laid by hand, one fragment at a time.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe result is an object with two entirely separate lives, and which one you get depends on where the light is standing. Under flat daylight it reads almost as stone: a pale mineral relief on a pale slab, the gold present but withheld, showing as a warm depth rather than a colour. Move a source low and to one side and the piece detonates quietly — the chambers catch and hold, each fracture returning light at its own angle, and the lattice that looked inert becomes the only lit thing in the room. It does not glow evenly. Gold leaf never does. It flickers between fragments the way a mosaic does, which is why it holds attention long after a polished metal surface would have stopped.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThere is a discipline in what has been left rough. The slab is unhoned on its face and square on its edge. The mineral lattice carries its casting texture, its pinholes, the grain of the material it was formed in. Nothing outward has been refined, because refining it would have made the gold decorative rather than concealed — and the entire proposition of this piece is that the most valuable material in it is the one you have to move to find.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48484006723805,"sku":null,"price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/srwalldecor1_3.jpg?v=1788282775"},{"product_id":"lacanthe-petrifee","title":"L'Acanthe Pétrifiée","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe acanthus leaf has been climbing European architecture since Callimachus is said to have seen one growing through a basket in a Corinthian graveyard. For two millennia it has been disciplined — carved into capitals, ordered into friezes, made to behave. \u003cem\u003eL'Acanthe Pétrifiée\u003c\/em\u003e is what happens when that discipline lapses. Here the foliage has broken its ranks and grown back over the form it was meant to decorate, tendrils lifting away from the body in long unresolved curves, and then the whole event has stopped. Not pruned. Not finished. Arrested, the way a building is arrested at the moment it becomes a ruin.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe vessel stands 81.29 cm — over thirty-two inches — and holds 16.5 kg of reinforced gypsum stone composite, cast solid enough that it settles into a surface rather than sitting on one. The surface is where the piece is made or lost. Each casting is finished by hand with a natural earth mineral wash, worked into the deep relief of the leaves and then drawn back off the raised edges, so the recesses hold shadow and the ridges catch light in the pale, chalky way that quarried stone does after a century outdoors. The grain is deliberately open. Under a raking light the plaster reads as geology, not as a coating. No two castings distress identically, and the studio does not correct toward a standard.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eGive it height and give it distance. This is an object for the long travertine console in an entry, the wide landing of a staircase, the end of a room that has nothing else competing in it — placement where a guest meets it at chest height before they meet anything else. It belongs to interiors already speaking in mineral and shadow: limewashed walls, unlacquered brass, a floor with some age in it. Leave it unlit from above and let a low warm source come in from one side; the relief needs a direction to work against. It holds nothing and needs nothing. That is the point of it.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48487860207837,"sku":null,"price":780.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/lacanthe_3.jpg?v=1788356451"},{"product_id":"flacon-botanique","title":"Flacon Botanique","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe vessel is not symmetrical, and it was never meant to be. Each Flacon Botanique carries a single hand-pressed indentation — the trace of a thumb, left in raw stoneware before the clay could argue. No two presses land the same way twice.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMorning light finds the concavity first. It pools there, soft and directional, the way it might on the wall of an old stone house rather than on a manufactured object. This is the wabi-sabi principle applied literally: the flaw is not hidden, it is the composition.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eFive undyed rattan reeds draw the Jardin Fermé fragrance upward without heat — jasmine first, then steamed tea softened by oolong, and beneath it, wet stone and beeswax settling in for the length of a room's afternoon.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48509242278109,"sku":null,"price":78.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Gemini_Generated_Image_3rwxke3rwxke3rwx.jpg?v=1788644886"},{"product_id":"carafe-suspendue","title":"Carafe Suspendue","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eLow at the shoulder, wide at the base, the Carafe Suspendue sits the way water settles rather than the way a vessel is usually built upward. The form tapers without hurrying, ending in a neck narrow enough to hold six reeds at an angle that looks accidental and is not.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBelow the shoulder, the clay is left exactly as it came from the kiln — coarse, grogged, matte enough to hold a fingerprint. Above it, a celadon glaze runs glassy and cool, pooling unevenly where the heat found it first. Two textures that by any reasonable logic should not sit on the same object, and do.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eA reactive glaze is not painted on; it is provoked, and then the kiln decides where it breaks, thins, or pools. What is on the shelf is not a copy of a design — it is the record of one specific firing, several minutes of heat held still and sold as an object.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48509242736861,"sku":null,"price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Carafe_Suspendue.png?v=1788616415"},{"product_id":"bougie-colonne","title":"Bougie Colonne","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe column does not stand the way a candle usually stands. It leans into its own fold, a single vertical crease running from base to flame, as if the wax remembered being poured rather than shaped.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eLight finds the groove before it finds anything else — a shadow that moves through the day without anyone touching the object.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eA candle is the only object designed entirely around its own disappearance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eLit, the top of the column softens first. Jasmine lifts off the melting pool within minutes, tea settling in underneath it before the wax has any real heat to give.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48509242867933,"sku":null,"price":72.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Bougie_Colonne.png?v=1788616416"},{"product_id":"bougie-vasque","title":"Bougie Vasque","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe rim was never meant to be even. It dips on one side and lifts on the other, the way a leaf settles rather than the way a bowl is usually thrown — asymmetry as a decision, not an accident of the wheel.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eLit, two flames sit on one continuous surface rather than each claiming their own pool. Neither light competes with the other; they simply widen the same clearing.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003eTwo flames and one surface — the bowl was never meant to be watched by only one person.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eGreen tea and jasmine surface almost immediately once the wax has warmed — this is not an object that stages its scent over an evening. It gives what it has, early, and lets the room decide what to do with it.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48509243031773,"sku":null,"price":72.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Bougie_Vasque.png?v=1788706233"},{"product_id":"baume-solide","title":"Baume Solide","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe pot is small enough to close a fist around, speckled the way raw stoneware always is when nobody has smoothed it on purpose. The lid carries a single pressed dimple — a thumbprint left before the clay could argue, the same gesture that marks every object in this collection, only closer here, sized for a fingertip rather than a room.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWarmed for a moment against the wrist, the balm gives before it is asked to. This is not a fragrance that fills a space. It stays where it is placed, and it stays quiet.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48509246374109,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Baume_Solide.png?v=1788616415"},{"product_id":"the-kore-fragment","title":"The Kore Fragment","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp\u003eIn the sixth century B.C.E., Greek sculptors carved a figure they called the kore — the maiden, draped and upright, her body a study in quiet symmetry rather than spectacle. The Kore Fragment continues that lineage, isolating the torso as its own complete statement: shoulder, waist, the soft architecture of the hip, rendered without apology and without ornament. Cast first in cold resin for permanence, then hand-finished in gold leaf and allowed to oxidize unevenly at the edges, the surface catches light the way aged brass catches a low winter sun — warm in places, shadowed in others, never uniform. Set on its own weighted plinth, it does not ask to be noticed from across a room; it rewards proximity, the kind of object a hand reaches for before the eye has finished deciding why. Paired with The Kouros Fragment, its counterpart in male form, the two pieces complete an idea two and a half millennia old: that the human body, reduced to its essential mass, remains architecture enough.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48575001297117,"sku":null,"price":248.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Gemini_Generated_Image_ewzr9yewzr9yewzr_68d35cbf-1c05-4d24-843d-413f4f98d540.jpg?v=1789760351"},{"product_id":"leclosion","title":"L'Éclosion","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eL'Éclosion — No. 04\u003c\/strong\u003e \u003cem\u003eDecadent Heritage · Fourth Edition\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eÉclosion is the moment a bud stops being closed and has not yet finished opening — the half-second where a flower is neither bract nor bloom, caught between two states with no name of its own. Most sculpture chooses a side: closed and dormant, or open and finished. This one refuses the choice. Three petal-forms spiral up from a narrow base, each caught mid-unfurl, each turning against the other two as if the piece were still deciding what shape to become.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eCast in a fine white gypsum composite — the same family as L'Acanthe Pétrifiée, but left in its raw state, unwashed, ungrayed by any mineral finish — the surface stays bright and matte, closer to bone china than to quarried stone. Where Acanthe reads as something excavated, Éclosion reads as something that happened yesterday. The petal walls are cast thin enough to take light from behind as well as in front, so a lamp set low beside it will glow faintly through the highest curl — the one thing this collection's heavier pieces cannot do.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIt stands on a plain rectangular plinth, the only straight line in the composition, there to hold the eye before the spiral takes it. Rotate it a quarter turn and the silhouette changes completely; it was not designed to have a single correct front.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eA quiet counterweight to the rest of Decadent Heritage: where the amphora remembers its old use and the acanthus remembers its ruin, Éclosion remembers nothing yet. It is the only piece in the collection still becoming something.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48579690234077,"sku":null,"price":460.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Gemini_Generated_Image_d91f79dc-de8f-4bc0-9fcf-d262b24924bc.jpg?v=1789644702"},{"product_id":"lacouvee","title":"La Couvée","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eLa Couvée — No. 05\u003c\/strong\u003e \u003cem\u003eDecadent Heritage · Fifth Edition\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eA couvée is the clutch itself — the eggs before they open, and the parent who will not leave them. This piece takes that word literally: an egg, whole and closed, carried on a low socle, with a pair of birds settled at its crown as if they had only just finished arranging themselves there. Nothing has hatched. Nothing is meant to.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe body is worked in continuous deep relief — feather, leaf, and a single climbing rose folding around the shell the way ivy takes a garden wall. An egg is still an egg only while it holds itself closed; where L'Éclosion (No. 04) is caught in the act of opening, La Couvée is caught in the act of guarding something that has not opened at all.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eCast in a fine bisque-finish composite, warmer and more ivory than the collection's other whites, hand-undercut so the birds' wings and the deepest leaf edges stand nearly free of the shell beneath them — the kind of relief that only survives casting when it is finished by hand, one pass at a time, rather than pulled straight from the mould.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIt asks for a close vantage: a low console, a mantel, anywhere a hand might rest near it before an eye reaches it. The birds are not decoration. They are doing a job. Move it, and it is easy to feel you are the one being watched.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48579904143581,"sku":null,"price":520.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/La_couve_1.jpg?v=1789641697"},{"product_id":"lenlacement","title":"L'Enlacement","description":"\u003cp\u003e\u003cstrong\u003ePre-Order — ships in 6–8 weeks.\u003c\/strong\u003e This piece is made to order; your purchase confirms production.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eL'Enlacement — No. 06\u003c\/strong\u003e \u003cem\u003eDecadent Heritage · Sixth Edition\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eL'Enlacement — the embrace, or the interlacing — names what happens when a vessel stops defending its own walls. Leaves and blossoms have not been carved onto this form; they have been carved through it, pierced clean so that where a solid wall would run to the rim, an open lattice of stem and petal runs instead, holding its own shape without ever fully closing around what it contains.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eReticulated openwork like this is unforgiving: every cut removes material that cannot be put back, so a single miscalculated leaf can lose the whole piece hours before it would have been finished. The studio accepts that loss rate as the cost of the effect — a wall that a lit candle, or simply an afternoon window, can pass straight through, throwing a second, moving pattern of leaf-shaped light onto whatever surface stands behind it.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eCast in the same fine bisque composite as the rest of the collection, then entirely hand-pierced after the initial cast has cured — no two lattices open in quite the same places. It still holds water and stem if wanted, but is at its most itself lit from within after dark, when the vessel stops being a container and becomes, briefly, a lantern.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eA sibling piece to L'Amphore Parée — both are vessels relieved of demanding privacy from what they hold — but where the amphora keeps its walls and drapes ornament over them, L'Enlacement gave its walls away entirely.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48579904209117,"sku":null,"price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Gemini_Generated_Image__4.jpg?v=1789658535"},{"product_id":"le-massif","title":"Le Massif","description":"\u003cp\u003eWhere Le Récif accretes, Le Massif was cut. Hand-finished in a paler, ash-grey stone composite, its form is angular and tiered, built from stacked planes that shear off at hard, irregular angles — a quarried block rather than a grown one, closer to a cliff face than a shell. It is the heaviest piece in the collection, in both weight and presence.\u003c\/p\u003e\u003cp\u003eThe texture is left deliberately rough — a fractured, sedimentary face rather than a polished one — so that raking evening light catches every broken edge and casts long shadows down the strata. It asks to be lit from one side and left alone; the piece does the rest.\u003c\/p\u003e\u003cp\u003eSibling to Le Récif and L'Éclipse, and grounded in the same material language as The Atelier Vignette that opened this collection: deep tones, ambient reflection, a mood built for after dark. Hand-finished, one piece at a time. A working vessel — the interior is sealed and holds water — built first to hold weight and shadow.\u003c\/p\u003e","brand":"Spring Renaissance","offers":[{"title":"Default Title","offer_id":48579975479517,"sku":null,"price":260.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/2581\/7053\/files\/Gemini_Generated_Image_1r7pvn1r7pvn1r7p_a15fde05-acbf-42ca-a08a-e0944b2be2ef.jpg?v=1789757316"}],"url":"https:\/\/springrenaissance.store\/collections\/collection-for-collection.oembed","provider":"Spring Renaissance","version":"1.0","type":"link"}