THE SUSPENDED CONTOUR
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A question before you commit? I read these personally.
Three States of the Same Gesture
The form is not designed and then made. It is poured, and then decided.
Liquid, level, undecided.
Molten brass finds its own horizontal. At this moment the material has no intention and no shape worth keeping — only mass and temperature.
Worked while it will still move.
The crest is raised by hand in the narrow window before the metal sets. Every ripple is a decision made under time pressure, which is why no two castings ripple alike.
Held, and then polished.
Cooled, trimmed, and brought to a mirror by hand. The gesture stops exactly where the metal stopped listening — and the stone beneath it makes sure it stays there.
Material Provenance
Crafted form, refined materials and precise execution.
| Sculpture | Hydro-cast stone composite, polished brass accent, hand-finished |
|---|---|
| Dimensions | 16.5 × 7.1 × 9.4 in / 42 × 18 × 24 cm |
| Studio | Three studies cast |
Dust with a dry cloth. Avoid abrasive cleaners on the brass details.
Harmonic Contour · Reading the Line
Anatomy of the Gesture
The ribbon rises from its mount in a single uninterrupted gesture, gathers into a rippled crest, and releases into a tapered point that reaches out over the surface it stands on.
Follow it with your eye from either end and you arrive somewhere different. Nothing about the form repeats itself.
Harmonic Contour · Material Philosophy
Two Materials, One Argument
Cast to move.
The ribbon is worked while the metal will still listen — every ripple raised by hand in the narrow window before it sets. Nothing about it is symmetrical, and nothing about it is still.
Cut to hold.
A cube of crystalline white marble, sawn square, its coarse mineral grain left unpolished — the most inert geometry available, chosen on purpose. It does not decorate the ribbon. It contradicts it.
What holds the two together is a small brass pin, left exposed rather than concealed, so the object never pretends the wave is floating. The engineering is part of the composition.
Harmonic Contour · Living With It
In the Room
- Light it from the side. A low, raking light catches the crest and lets the ripple cast its own small shadow.
- Give it a quiet surface. A console or plinth with nothing competing nearby — the negative space is part of the reading.
- Let the eye travel. Place it where it can be approached from more than one angle; the gesture changes with the angle.
- Handle it dry. No polish, no water — a soft cloth is the only maintenance the lacquer needs.
It will look more considered in ten years than it does on the day it arrives.